Analysis of Chakushin Ari Film Essay Example | Topics and Well Written Essays - 2250 words

Analysis of Chakushin Ari Film - Essay Example Supernaturalism, monsters, cults, mad scientist, old castles, graveyards, and uncharted islands are some of the features of a horror film. Films not dealing with those particulars are to be classified as something else. The test of a film should be the film itself not the broad terms used to describe it. When a film is judged in terms of its photography, direction, acting or in terms of its relevance contemporary nature of its contents, the horror film is worse than the ordinary drama or comedy. Scholars have asserted that the aforementioned features are not the only measures to categorize a horror movie. Arguably, the external appearance of films can fail to indicate the right direction hence necessary to incorporate emotional factors. Ignoring the emotions in the horror film may easily make one to point in the wrong direction. A film gains popularity if it can provoke emotions of the viewers and therefore, the more the provocative emotions in a film the more quality it becomes, as in the case of â€Å"Chakushin Ari†Ã¢â‚¬  film. In this context, horror films are more provocative than others making the genre become famous hence gaining more viewers.Any filmmaker should turn a script or a concept into a series of sounds and images that express the essence and the surface of the source. Making a successful horror film, the filmmaker should decide the primary of the production of horror. Why, for instance, a film like â€Å"Chakushin Ari† is labeled a work of horror and not a murder thriller or a detective? Anyone who has ever watched this film would admit that it inspires dread and fear and therefore deserves the name horror film. The structure of horror film â€Å"Chakushin Ari† is an example of films that employ much the same devices and method, as does the horror film. The form in which the film is presented and the content within the same film determine if they a contain a feature of horror films. Therefore, from the features, it is possible to verdict if such a film is an exclusive work of horror. The films of this genre are not just a sequence of events but also unity of a certain kind of actions. Horror, like comedy, drama, or suspense

Comparation of the use of fantasy in Tom's Midnight Garden and The Essay

Comparation of the use of fantasy in Tom's Midnight Garden and The Secret Garden - Essay Example Comparation of the use of fantasy in Tom's Midnight Garden and The Secret Garden This not only has to do with the fact that different authors are responsible for these respective works; it also has to do with the differential in time between when these books were penned and the growth and development of the genre in which they fall.1 Whereas an absolute and/or concrete definition of fantasy is somewhat impossible to define with regards to children’s literature, many commonalities are expressed by the genre and help to define it. These are as follows: the utilization of many form and narrative techniques, the heightened use of symbolism, and the focus upon the language to create mystique, setting, and sense of time that other functions or genres might otherwise struggle with. Fantasy within children’s literature, although a similar issue, is in fact somewhat different and more nuanced; due in part to the fact that it can be separated into two distinct time periods – the first and second golden age. The first golden age necessarily refers to th e period of the late 19th and early 20th century; whereas the second golden period refers to the period of time starting in the mid 20th century and extending nearly until the close of the 20th century. Naturally, for the novels in question, The Secret Garden falls into the first golden age; whereas Tom’s Midnight Garden falls into the second.... 99. From a cursory analysis, the inclusion of the word â€Å"secret† in The Secret Garden or â€Å"midnight† in Tom’s Midnight Garden present something of an expectation for the implementation of fantasy as a means of bringing about a particular understanding.2 Once again, a non—nuanced approach is presented partly due to the fact that children’s literature is the focus and intended audience for which these respective novels are intended.3 Whereas this might be considered a cheap literary trick in some circles, the use of such terminology within the titles creates an expectation for fantasy and intrigue to define the subsequent pages and chapters of the novels in question. However, even though such an expectation exists, as the reader might expect, a clear level of differentiation exists between the level and use of fantasy that is leveraged and these two novels which are written nearly 50 years apart.4 With regards to The Secret Garden, a sense of fantasy is immediately conveyed to the reader due to the fact that a fantastical representation of an exotic life is presented to the reader. The protagonist, Mary Lennox, is defined as a girl who grew up in the lap of luxury and far off India.5 The description and definition of the luxuries and carefree lifestyle that she lived while there helps the reader to understand the sense of warning and mystique to which she greets the gray and uninviting steps of northern England. However, of all of the literary approaches that are utilized as a means of affecting a sense of fantasy within The Secret Garden, perhaps the most poignant and powerful is with regards to the religious imagery that is presented. Rather than merely attempting to evoke a sense of fantasy based